Analisis Semiotika Pola Komunikasi Keluarga pada Film “Noktah Merah Perkawinan”

  • Nur Taqwa Utami Universitas Muhammadiyah Buton
  • Hastuti Hastuti Universitas Muhammadiyah Buton
  • Muh. Rizal Ardiansah Putra Universitas Muhammadiyah Buton

Abstract

The film 'Noktah Merah Perkawinan' tells the story of a married couple who have been married for several years and have two children. The communication patterns between the characters Gilang and Ambar depict events that reflect realities often observed in society, such as conflicts within a household. Therefore, the objective of this research is to analyze the semiotics of family communication patterns in the film 'Noktah Merah Perkawinan.' This research employs the semiotic analysis method of Ferdinand De Saussure, which comprises two elements: signifier and signified. Additionally, the research categorizes communication patterns based on De Vito's classification, including monopolistic family communication, balanced separate communication, unbalanced separate communication, and equality communication. According to this classification, the findings reveal that in monopolistic communication patterns, one party significantly dominates based on their influence within the family. In the case of balanced separate family communication, each family member plays their respective roles. Unbalanced separate communication occurs when communication within the family involves only one individual dominating due to their perceived expertise on a particular issue. In contrast, equality communication is characterized by open communication among family members without any specific restrictions. In conclusion, the research demonstrates that family communication patterns in this film vary widely, with each family member having their distinct role. Moreover, it suggests that all conflicts depicted in the film 'Noktah Merah Perkawinan' can be resolved through effective communication without any imposed limitations, as seen in the equality communication pattern.

 

Keywords: Noktah Merah Perkawinan, Family Communication Patterns, Semiotic

References

Afdal, T., & Yazid, M. (2021). Representasi Keluarga p ada Film “ Nanti Kita Cerita Tentang Hari Ini .” Prosiding Hubungan Masyarakat, 7(1), 69–75.

Al-Fikri, M. H. (2022). Analisis Semiotika Pesan Moral Dalam Film Squid Game. In Skripsi. http://digilib.unila.ac.id/id/eprint/68510

Bisri Mustofa, M. (2022). Fungsi Komunikasi Massa Dalam Film. At-Tawasul, 2(1), 1–8. https://doi.org/10.51192/ja.v2i1.324

FIkri Andi M. (2023). Pola Komunikasi Keluarga Dalam Film Pengabdi Setan Setan 2 Communion. DIGICOM : Jurnal Komunikasi Dan Media, 3, 13.

Indah Kurnia Dewi, N., Saraswati, A., Nafisa Falihah Furqon, A., & Animasi, P. (2022). Penerapan Pola Komunikasi Soft Selling melalui. 08(02), 231–245. http://publikasi.dinus.ac.id/index.php/andharupa/index

Kompasiana. (2023). perceraian, apakah hasil dari kegagalan komunikasi? Kompasiana, 2. https://www.kompasiana.com/laelanandaa/6463963a4addee62f973b692/perceraian-apakah-hasil-dari-kegagalan-komunikasi#:~:text=Dalam banyaknya kasus yang terjadi setiap tahun%2C masalah,dari total faktor penyebab kasus perceraian di Indonesia

Liemantara, M. F., Lesmana, F., & Wahjudianata, M. (2021). Representasi Pola Komunikasi Keluarga dalam Film Dua Garis Biru. E-Komunikasi, 9(2), 1–10.

Madhona, R. H., & Yenny. (2022). Representasi Emosional Joker Sebagai Korban kekerasan Dalam Film Joker 2019 (Analisis Semiotika Ferdinand De Saussure). Soetomo Communication and Humanities, 3(1), 1–13. https://doi.org/10.25139/sch.v3i1.4475

Melissa Ribka, F. K. S. (2015). Pola Komunikasi Anak-Anak Delinkuen Pada Keluarga Broken Home Di Kelurahan Karombasan Selatan Kecamatan Wanea Kota Manado. “Acta Diurna,” IV(4), 1–10.

Nathaniela, R. A. (2021). Representasi Pola Komunikasi Keluarga Dalam Film “Dua Garis Biru” (Analisis Semiotika Roland Barthes) Representation of Family Communication Patterns in a Blue Two-Stripe Film (Roland Barthes Semiotics Analysis). https://journal.student.uny.ac.id/index.php/ilkom/article/download/18518/17441

Nugraha, A., & Kemendikbud, P. (2019). Representasi Bullying Serial Kartun. 16(September).

Rahmah Eka Saputri. (2023). No Title. Melihat Relasi Pernikahan Menurut Buya Hamka Dalam Film Noktah Merah Perkawinan. https://mubadalah.id/melihat-relasi-pernikahan-menurut-buya-hamka-dalam-film-noktah-merah-perkawinan/

Rahmat, F., Studi, P., Komunikasi, I., Jurnalistik, K., Ilmu, F., Dan, S., Politik, I., & Indonesia, U. K. (2015). Pola komunikasi keluarga poligami. 1.

Riwu, A., & Pujiati, T. (2018). Analisis Semiotika Roland Barthes pada Film 3 Dara. Deiksis, 10(03), 212. https://doi.org/10.30998/deiksis.v10i03.2809

Sasmita, U. (2017). Representasi Maskulinitas dalam Film Disney Moana (Analisis Semiotika Charles Sanders Pierce). Jurnal Online Kinesik, 4(2), 130.

Septiyani, N. M. (2022). Pola Komunikasi Single Father Terhadap Anak Perempuan dalam Film Drama. Tanra Desain Komunikasi Visual, 9(2), 173–187.

Sidabutar, E. T. (2019). Makna Kerja Keras Dalam Film “Lala Land.” Jurnal Riset Komunikasi, 2(2), 171–183. https://doi.org/10.24329/jurkom.v2i2.68

Track, K., & Before, P. (2018). 尹萍1 赵亚丽2 1.公 安 部 第 一 研 究 所 2.清华大学. 11(2), 63–66.

Widianto, R., Warouw, D. M. D., & Senduk, J. J. (2015). Analisis Semiotika Pada Film Senyap Karya Joshua Oppenheime. Acta Diurna, 4(4), 1–9.
Published
2024-02-12
Abstract viewed = 22 times
pdf downloaded = 21 times