Dekultrasi Bentuk Pertunjukan Musik Hadrroh

  • Alwan Hafiz Universitas Hamzanwadi
  • Hary Murcahyanto Universitas Hamzanwadi
  • Abdullah Muzakkar Universitas Hamzanwadi
  • Hulfatul Husna Universitas Hamzanwadi

Abstract

ABSTRAK

This paper is based on the results of research that aims to describe the deculturation and form of Hadrroh musik performances in Gerisak Semanggleng Sakra Barat Village, Lombok Timur. This study used a qualitative descriptive method with a phenomenological approach. Collecting data by observation, interviews and documentation. From the results of the study, it is concluded that a result of the times and often following competitions the musik group has innovated to become a modern Hadrroh Modern musik group. To meet the needs of a show so as not to be outdated, this musik group underwent a change in the form of deculturation in the form of its performance by adding a keyboard musical instrument and presentation material using modern religious songs. The form of Hadrroh's musik shows is divided into two forms of performances, namely routine performances as a means of worship and non-routine performances (rituals) as entertainment.

 Keyword : Deculturation, Hadrroh Music, Performance Forms.

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Published
2020-12-25
How to Cite
Hafiz, A., Murcahyanto, H., Muzakkar, A., & Husna, H. (2020). Dekultrasi Bentuk Pertunjukan Musik Hadrroh. Kaganga:Jurnal Pendidikan Sejarah Dan Riset Sosial-Humaniora, 3(2), 182-188. https://doi.org/https://doi.org/10.31539/kaganga.v3i2.1725
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