Teknik Vokal pada Kesenian Burdah
Abstract
The purpose of this study was to describe the vocal techniques used in singing Burdah's verse. This research uses descriptive qualitative method. The object of research is focused on vocal technique problems while the research subject is Jama'ah Burdah Al-Istiqlal, East Lombok. The results showed that the Burdah vocal technique had to use special lyrics or Barzanji. Not all of the vowel articulations are pronounced clearly according to the Arabic language. Burdah is sung at a slow tempo with a speed value of 60-63 (Larghetto). The dynamics at the beginning of the rhyme will sound louder and louder after which the same until the end except at the beginning again because the same rhythm is repeated. Frashering said to Burdah that he always welcomed each other so that the chanting would not break. Uses abdominal and upper resonance breathing as it is very influential on high notes. The conclusions of the study were found regarding the use of special rhymes, not all of the articulations were pronounced clearly, slow tempo, moderate dynamics, getting louder and repetitive, unbroken word decapitation, using abdominal breathing and upper resonance.
Keyword: Burdah, Religious Art, Vocal Technique
References
Arikunto, S. (2010). Research Procedure a Practical Approach. Jakarta: Rineka Cipta
Aslan, R. (2010). Understanding the poem of the Burdah in Sufi commentaries [Thesis, the American University in Cairo]. AUC Knowledge Fountain
https://fount.aucegypt.edu/retro_et ds/2383
Bahaudin, I. (2017). Pembelajaran Notasi Balok melalui Software Sibelius. Seminar Nasional Seni Dan Desain 2017, 429–436
Djohan. (2016). PSIKOLOGI MUSIK (A. T. R. Mardiyanto (ed.); 4th ed.). Best Publisher
Egisthi, V. A., Andreswari, D., & Setiawan, Y. (2016). Aplikasi Latih Vokal Dengan Menggunakan Metode Harmonic Product Spectrum (Hps) Dan Boyer Moore Berbasis Android. Simetris: Jurnal Teknik Mesin, Elektro Dan Ilmu Komputer, 7(2), 501–512
Kurniatun, I. (2004). Seni Suara Daerah Sebagai Media Pendidikan Apresiasi Seni. Keteg: Jurnal Pengetahuan, Pemikiran Dan Kajian Tentang Bunyi, 4(1)
Miller, M. H. (2017). Apresiasi Musik. Thafa Media
Moleong, L. J. (2019). Metodologi Penelitian Kualitatif
Moleong, L. J., & Edisi, P. (2007). Metodelogi Penelitian. Bandung: PT. Remaja Rosdakarya
Mudjilah, H. S. (2010). Teori Musik 1. Yogyakarta: Universitas Negeri Fakultas Bahasa Dan Seni
Murcahyanto, H., Imtihan, Y., Khaironi, Y., Zainuddin, J. T. M., Majid, A., Timur, L., & Corresponding, I. (n.d.). Vocal Technique of the Keroncong Song Ahlan Wa Sahlan TGKH Muhammad Zainuddin Abdul Majid Creation
Oktara, B. (2011). 6 Jam Jago Teknik Olah Vokal (Latief (ed.)). Gudang Ilmu
Pamadhi, H. (2012). Pendidikan seni: hakikat kurikulum pendidikan seni, habitus seni, dan pengajaran seni anak. UNY Press
Pradipta, B. W., & Damajanti, I. (n.d.). Kajian Karya Seni Performans Melati Suryodarmo. Visual Art, 2(1), 180012
Pramayuda, Y. (2010). Buku Pintar Olah Vokal (Ath@ (ed.); KE-1). BUKUBIRU
Prier, K.-E., & Edmund, K. (1996). Ilmu Bentuk Musik. Yogyakarta: Pusat Musik Liturgi
Ratna, N. K. (2019). Metodologi penelitian kajian budaya dan ilmu sosial humaniora pada umumnya
Rondhi, M. (2017). Apresiasi Seni dalam Konteks Pendidikan Seni. Imajinasi: Jurnal Seni, 11(1), 9–18
Setiawan, E. (2015). Nilai-Nilai Religius dalam Syair Shalawat Burdah. LiNGUA: Jurnal Ilmu Bahasa Dan Sastra, 10(1), 1–8
Simanungkalit, N. (2013). Teknik Vokal Paduan Suara. Gramedia Pustaka Utama
Sinaga, F. S. S., Maestro, E., & ... (2019). Software Sibelius Sebagai Alternatif Penulisan Notasi Musik Di Era Millenial. Musikolastika. http://musikolastika.ppj.unp.ac.id/ index.php/musikolastika/article/vi ew/11
Sinaga, T. (n.d.). Dasar-Dasar Teknik Bernyanyi Opera. Gondang: Jurnal Seni Dan Budaya, 2(2), 7 9–89
SJ, K. E. P. (2017). Ilmu Bentuk Musik (6th ed.). Yogyakarata: Percetakan Rejeki
Stetkevych, S. P. (2007). From Sirah to Qasidah: Poetics and Polemics in Al-Busiri’s Qasidat Al-Burdah (Mantle Ode). Journal of Arabic Literature, 38(1), 1
Sugiono. (2017). Metode Penelitian Kuantitatif, Kualitatif dan R&D. Penerbit Alfabeta
Surahman, C. (2020). Collating Qaṣīdah Burdah of Al-Buṣīrī. Hayula: Indonesian Journal of Multidisciplinary Islamic Studies, 4(2), 141–170
Suryati, S., Simatupang, G. R. L. L., & Ganap, V. (2016). Ornamentasi Seni Baca Al-Qur’an dalam Musabaqoh Tilawatil Qur’an sebagai Bentuk Ekspresi Estetis Seni Suara. Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts), 17(2), 67–74
Tarsa, A. (2016). Apresiasi Seni: Imajinasi dan Kontemplasi dalam Karya Seni. JPGI (Jurnal Penelitian Guru Indonesia), 1(1)
Tobing, O. (2010). Manajemen Paduan Suara Consolatio Universitas Sumatera Utara. Jurnal Title
Waesberghe, S. Van, & Van, S. (2016). Estetika Musik. Yogyakarta: Thafa Media