Bentuk Dan Gerak Tari Tradisional Manuk Beberi

  • Muh Ridwan Markarma Universitas Hamzanwadi
  • Riyana Rizki Yuliatin Universitas Hamzanwadi
  • Hary Murcahtanto Universitas Hamzanwadi
  • Ummi Risti Ayuni Rahman Universitas Hamzanwadi
  • Nur Aetin Mahi Sofiana Universitas Hamzanwadi

Abstract

The purpose of this study was to describe the various forms and movements of the Manuk Beberi dance. This research uses descriptive qualitative methods using theories related to the research topic. The theory used is the theory of symbols which is translated into discursive and presentational symbols. The results showed that the Manuk Beberi dance is a regional dance originating from Lombok, West Nusa Tenggara. The Manuk Beberi dance was created based on the story of Dewi Anjani's pet. This dance is danced by two male dancers with energetic movements that reflect the character of Dewi Anjani's pet chicken. The various movements of the Manuk Beberi dance are classified into discursive symbols and presentational symbols. Movements that are included in the discursive symbol are the movements of the Keber, Notok, Ngaeh and Bekupu. These movements have certain meanings based on the results of mutual agreement in an area. Meanwhile, other Manuk Beberi dance movements are included in the presentational symbol, namely movements that are only complementary and do not have a core meaning. In conclusion, the traditional dance of Manuk Beberi has four forms, namely, the traditional dance form, which is the pet movement of Dewi Anjani.

Keywords: Form, Manuk Beberi Dance, Motion

 

References

DAFTAR PUSTAKA
Arikunto, S. (2010). Research Procedure a Practical Approach. Jakarta: Rineka Cipta

Fajrianti, N. A., & Imtihan, Y. (2019). Komposisi Gerak pada Pertunjukan Kesenian Tari Petuk di Desa Sade Kabupaten Lombok Tengah. Tamumatra: Jurnal Seni Pertunjukkan, 1(1)

Jazuli, M. (2011). Sosiologi Seni: Pengantar dan Model Studi Seni. Sebelas Maret University

Kailani, A., Murcahyanto, H., & Mariadah, M. (2020). Bentuk Pertunjukan Drama Tari Bejoraq. Kaganga: Jurnal Pendidikan Sejarah Dan Riset Sosial-Humaniora, 3(2), 1–8

Karimah, H. E., & Hanif, M. (2017). Makna Simbolik Tari Pentul Melikan Di Tempuran Paron Ngawi. Gulawentah: Jurnal Studi Sosial, 2(1), 49–58

Langer, S. K. (2009). Philosophy In A New Key: A Study In The Symbolism Of Reason, Rite, And Art. Harvard University Press

Lutfiana, D. (2017). Estetika Bentuk Pertunjukan Tari Lenggang Pari Di Sanggar Seni Perwitasari Kelurahan Kemandungan Kecamatan Tegal Barat Kota Tegal

Moleong, L. J. (2019). Metodologi penelitian kualitatif

Muhimmah, S. H. (2019). Elemen Dan Makna Gerak Tari Dara Ngindang Di Sanggar Seni Teruna Bebadosan Desa Lenek Kecamatan Lenek, Lombok Timur. TAMUMATRA: Jurnal Seni Pertunjukkan, 1(2)

Murcahyanto, H., Imtihan, Y., Yuliatin, R. R., & Mahyumi, H. S. (2020). Bentuk Dan Elemen Gerak Tari Dayang-Dayang. Kaganga: Jurnal Pendidikan Sejarah Dan Riset Sosial-Humaniora, 3(2), 9–19

Oktariani, D., & Istiandini, W. (2015). Analisis Struktur Gerak Tari Jepin Langkah Simpang Di Kota Pontianak Kalimantan Barat. Jurnal Pendidikan Dan Pembelajaran Khatulistiwa, 4(3), 4

Subari, L. (2017). Perspektif Bentuk pada Struktur Gerak Tari Klana Jabung. TEROB
https://e-journal.stkw-surabaya.ac.id/index.php/jtr/article/view/90
Sugiyono, M. (2012). Metode Penelitian Kuantitatif R&D. Alfabeta

Sugiyono, P. D. (2018). Metode Penelitian Kuantitatif, Kualitatif, dan R&D. ALFABETA, cv

Suryo, D., & C, E. P. (2014). Seni Tari Rakyat Dolalak Kajian Nilai Budaya dan Fungsi Pendidikan Pada Masyarakat. Jurnal Sosialita, 5(1)

Yaritha, D. A. (2016). Analisis Semiotika Dalam Ragam Gerak Tari Sigeh Penguten
Published
2021-04-02
Abstract viewed = 94 times
pdf downloaded = 118 times