Sistem Penadaan Musik Tradisi Sasak Rebana Lima
Abstract
The purpose of this research is to describe the funding system used by Tambourine Lima. This type of research uses a qualitative descriptive method. Data collection techniques with data triangulation techniques, namely observation, interviews, and data collection with documents. The data analysis used consisted of four stages, namely data collection, data reduction, data presentation, and data verification. The results of the study show that the Tambourine Lima tuning system uses a pentatonic scale, namely the tone 2-3-5-6-2. In the Rebana Lima marking system, it starts from a low 2 tone and ends with a high 2 tone and does not use a 1 tone. The conclusion of the research is that in Tambourine Lima to produce the notes in each musical instrument, the player must adjust his left hand to produce the right tone and according to his tuning. each player holds a musical instrument, and is beaten according to the song being played to produce harmony.
Keywords: Rebana lima, Tone system, Traditional Music
References
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Yudarta, I. G., & Pasek, I. N. (2017). Kecimol Music as Cultural Identification of Sasak Ethnic. Mudra Jurnal Seni Budaya, 32(3). 314-318. https://doi.org/10.31091/mudra.v32i3.184
Baha, M. A., Murcahyanto, H., & Imtihan, Y. (2020). Organologi Selober pada Sanggar Selober Pejenengan Desa Pengadangan Pringgasela Lombok Timur. TAMUMATRA: Jurnal Seni Pertunjukkan. 2(2). 90-98 https://doi.org/10.29408/tmmt.v2i2.2308
Hafiz, A., & Markarma, R. (2018.). Musical Elements of Gendang Beleq Art Teruna Jaya Sakra Village. The 4th Hamzanwadi International Conference On Education. 24. https://scholar.google.co.id/citations?view_op=view_citation&hl=id&user=w4JZ9JYAAAAJ&citation_for_view=w4JZ9JYAAAAJ:W7OEmFMy1HYC
Harnish, D. D. (2021). The Phenomenon of Gendang Beleq. In Change and Identity in the Music Cultures of Lombok, Indonesia. 97–117. Brill. https://doi.org/https://doi.org/10.1163/9789004498242_005
Hasim, N., Widiawati, B. H., & Murcahyanto, H. (2022). Pembelajaran Musik Tradisional Berbasis Audio Visual. TAMUMATRA: Jurnal Seni Pertunjukkan, 4(2). 85-96. https://doi.org/https://doi.org/10.29408/tmmt.v4i2.5505
I Gede, Y., & Tri, H. (2020). Musik Tradisional Sasak Rebana Gending. Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar
http://repo.isi-dps.ac.id/3802/
Isbah, M. F., & Wiyoso, J. (2019). Komposisi dan Aransemen Musik Babalu Sebagai Sebuah Kajian Musikalitas Tradisional. Jurnal Seni Musik. 8(1). 49-56. https://journal.unnes.ac.id/sju/index.php/jsm/article/view/28698
Miller, M. H. (2017). Apresiasi Musik. Thafa Media. Yogyakarta
Miller, T. E., & Williams, S. (2017). The Garland Encyclopedia of World Music: Southeast Asia. Routledge
Mintargo, W., R. Wahyudi & R. E. Lestari. (2018). Budaya Musik Indonesia. 1st ed. PT Kanisius. Yogyakarta
Mudjilah, H. S. (2010). Teori Musik 1. Universitas Negeri Fakultas Bahasa dan Seni. Yogyakarata
Murcahyanto, H., Imtihan, Y., & Khaironi, Y. (2020). Vocal Technique of The Keroncong Song Ahlan Wa Sahlan BT - 1st Progress in Social Science, Humanities and Education Research Symposium (PSSHERS 2019). 1015–1019. https://doi.org/https://doi.org/10.2991/assehr.k.200824.225
Murcahyanto, H., Imtihan, Y., Yuliatin, R. R., & Fitriyana, B. H. (2021). Gending Pewayangan. https://doi.org/10.17605/OSF.IO/QYVS3
Pebrian, R. I. (2020). Analisis Sistem Penadaan Rebana Lima Pada Gending Ketonjer. Universitas hamzanwadi. https://eprints.hamzanwadi.ac.id/view/year/2020.html.
Prasetio, R., Hidayatno, A., & Santoso, I. (2014). Perancangan Sistem Perbaikan Nada Suara Manusia dengan Menggunakan Metode Phase Vocoder Terhadap Nada Referensi Musik. Transmisi, 16(4), 160–166. https://doi.org/10.12777/transmisi.16.4.160-166
Pratiwindya, A. A. P. G., Hidayat, B., & Wijayanto, I. (2011). Deteksi Nada pada Alat Musik Tradisional Bali Menggunakan Transformasi Wavelet dan Jaringan Saraf Tiruan. https://openlibrary.telkomuniversity.ac.id/pustaka/92460/deteksi-nada-pada-alat-musik-tradisional-bali-menggunakan-transformasi-wavelet-dan-jaringan-saraf-tiruan.html
Prestisa, G. (2013). Bentuk Pertunjukan dan Nilai Estetis Kesenian Tradisional Terbang Kencer Baitussolikhin di Desa Bumijawa Kecamatan Bumijawa Kabupaten Tegal. Jurnal Seni Musik, 2(1). https://doi.org/10.15294/JSM.V2I1.2388
Purnomo, W., & Subagyo, F. (2010). Trampil Bermusik untuk SMP dan Mts. PT Wangsa Jatra Lestari. Jawa Tengah
Santosa, H., & Ketut Sudhana. (2015). Prototipe Gamelan Sistem Sepuluh Nada dalam Satu Gembyang. Segara Widya. Jurnal Segara Widya. 3(1). 482-488. https://doi.org/10.31091/sw.v3i0.219
SJ, K. E. P. (2017). Ilmu Bentuk Musik (6th ed.). Percetakan Rejeki Yogyakaarta
Sugiono, S. (2017). Metode Penelitian Kuantitatif, Kualitatif dan R&D. Penerbit Alfabeta. Bandung
Wisnawa, K. (2020). Seni Musik Tradisi Nusantara. Nilacakra Publising. Bandung
Yudarta, I. G., & Haryanto, T. (2021). Eksistensi Kesenian Rebana Gending Desa Langko salam Masa Pandemik Covid-19 di Lombok. Mudra Jurnal Seni Budaya, 36(2). 170-178. https://doi.org/10.31091/mudra.v36i2.1460
Yudarta, I. G., & Pasek, I. N. (2015). Revitalisasi Musik Tradisional Prosesi Adat Sasak Sebagai Identitas Budaya Sasak. Segara Widya: Jurnal Hasil Penelitian dan Pengabdian Masyarakat Institut Seni Indonesia Denpasar, 3(1). 367-375. https://doi.org/10.31091/sw.v3i0.175
Yudarta, I. G., & Pasek, I. N. (2017). Kecimol Music as Cultural Identification of Sasak Ethnic. Mudra Jurnal Seni Budaya, 32(3). 314-318. https://doi.org/10.31091/mudra.v32i3.184
Published
2022-12-31
Section
Articles
